Showing posts with label Finders keepers. Show all posts
Showing posts with label Finders keepers. Show all posts

Monday, May 12, 2014

Monster Skies Mix

Here's a wonderfully woven weird gear mix of proto electronics, malformed tape music, cosmic psych and vintage voltage pop by Finders Keepers co founder and b-musicologist extraordinaire Andy Votel. The mix was recorded in Melbourne earlier this year and originally released on cassette in a micro edition of 100 copies. Many thanks to AV and JP for their kind permissions. For those seeking similar musical sustenance, you might do well to seek out a copy of the companion vinyl release on Dual Planet and Finders Keepers. Enjoy.

Monster Skies Mix




Wednesday, April 24, 2013

Suxo Plexo Muxo Mix

Few vinyl archaeologists dig deeper than Andy Votel and when he suggested A Sound Awareness host this mix I was pretty much 'dancing on the ceiling with joy'. Originally aired on Jonny Trunk's OST Show on Resonance FM in March 2013, 'Suxo Plexo Muxo' features a zoned out mix of Eastern European cinematic oddities, weird eye Giallo schlock, Parisian art house freak folk and a plethora underexposed and uncharted celluloid wonders from around the world which will send even the most avid sound collector scouring the crates for years to come.

As always, hats off to Finders Keepers and Trunk Records for the kind permissions. Artwork remixed by myself and Mr. Votel using a few of the rather fine images on display here.

Dig, delve and enjoy!

Suxo Plexo Muxo Mix

Tracklist 
from Pan Kleks - Andrzej Korzynski - (Polton Poland)
from Anna - Gainsbourg Columbier (INA France)
from Belladonna Of Sadness - Masahiko (Finders Keepers)
from Chi - Goblin (Cinevox IT)
from Phantasm - Myrow Seagrave (Verese Sarabande)
from Sitting Target - Stanley Myers (FK)
from Valerie And Her Week Of Wonders - Lubos Fiser (FK)
from La Salamander - Patrick Moraz (Evasion Ch)
from Morgiana - Lubos Fiser (FK)
from Nightmares Come At Night (The B-Music Of Soledad Miranda) - Bruno Nicolai (FK)
from Divertissements - Louk De Book (Cache Cache)
from When Love Becomes Lust - Morricone (Cerberus)
from Daisies - Jiri Sust / Jiri Slitr (FK)
from Saxana - Angelo Michajlov (FK)
from Kama Sutra - The Inner Space (Crippled Dick)
from Lilith - Bruno Spoerri (Cache Cache)
from Pan Kleks - Andrzej Korzynski (Polton Poland)
from Naturally Free - Avenue (Apla Aus) 
from Blood On Satans Claw - Marc Wilkinson (Trunk)
from The Innocents - Isla Cameron (FK)
from Qui êtes vous, Polly Maggoo? - Michel Legrand (AZ)
from The Cremator - Zdenek Liska (FK)
from Fascination - Phillippe D'Aram (FK)
from Stone - Billy Green (FK)
from Sweet Movie - Manos Hadjidakis (Sonopresse)
from Mad Monster Party - Maury Laws (Rankin Bass)
from Honest Blue Eyes - Berndt Egerbladh (CBS)
from Saxana - Angelo Michajlov (FK)
from When Love Becomes Lust - Morricone (Cerberus)
from Danger Diabolik - Morricone (Disobediente)
from S.O.S - Andrzej Korzynski (Disposable Music)
from Zwolf Im Langstrasse- Bruno Spoerri (Cacophonic)
from Man Of Marble - Andrzej Korzynski (Cache Cache)
from Snakes - Suzanne Ciani (FK)
from Holy Mountain - Frangipane Jodorowsky (Abcko)
from Outland - Jerry Goldsmith (MCA)
from Tulipan - Andrzej Korzynski (Cache Cache)
from Kiu - J Pagan (PDI)
from Varadhu Vandha - S. Janaki and Iliayaraaja (FK)
from De Sade 70 Trailer (The B-Music Of Soledad Miranda) - Bruno Nicolai (FK)
from All The Colours Of The Dark - Bruno Nicolai (FK)
from Three Nuts For Cinderella - Karel Svoboda (Supraphon Cz)
from Zwolf Im Langstrasse- Bruno Spoerri (Cacophonic)
from Hausu - Godiego (Columbia Japan)
from Jeunes Filles Impudiques - Pierre Raph (FK)
from Pastoral - JA Seazer (RCA Japan)
from Agilok & Blubbo - The Inner Space (Wax Wah)
from Takin Off - Bobo Bates (Decca)
from Nightmares Come At Night (The B-Music Of Soledad Miranda) - Bruno Nicolai (FK)
from Girls In The Sun - Stavros Xarhakos (EMI Greece)
from Senza Motivo Apparente - Morrricone (General IT)
from Cul De Sac (Matnia) -  Hank Jones & Oliver Nelson (Impulse)
from Valerie And Her Week Of Wonders - Lubos Fiser (FK)
from Mala Morska Vila - Zdenek Liska (FK)
from Anna - Gainsbourg Columbier (INA France)

Thursday, February 02, 2012

Lixiviation

The analog sound of electronic wow and flutter simulating breathing opens and gives life to this marvellous and varied collection of mutant synthwave soon to be released on Finders Keepers. Described as “the American Delia Derbyshire of the Atari Generation”, this release sets to investigate the hidden and seldom heard sound world of electronic composer Suzanne Ciani. Despite her involvement in the production of electronic music for over forty years, few people will be au courant with her vast and varied sonic portfolio. Ciani was responsible for the creation of electronic sounds for the early Xenon pinball machine, produced numerous corporate sound idents and logos for multinational companies [such as Atari, Coca Cola, General Motors, Sunkist and M&M Candy] in addition to creating a wealth of personal electronic experimentation. This retrospective includes both her work for commercial companies as well as documenting her unreleased compositional experiments and it is perhaps the dichotomy of this aural tightrope between public and private compositions which makes this collection so utterly fascinating. Compare the eight second hyperreal masterpiece of early eighties audio advertising entitled "Coca-Cola Pop & Pour Logo" with the pale gaseous resonance of the composition "Paris 1971" and you'd be hard pressed to detect communality. The shorter tracks such as "Sound Of A Dream Kissing" jump cut quick electro data pulses and infuse them with percolating musique concrete. Many of the longer tracks shimmer in glacial kosmiche wonder with sine waves and data tones slowly morphing and mutating into ever evolving electronic luminescence. By far my favourite composition is "Second Breath" which examines a microtonal landscape of layered sound reminiscent of the deep listening compositions of minimalist composer Phill Niblock but without the overtly stifling overtones of academia. A real wondrous ear and eye opener.

Lixiviation by Suzanne Ciani is released by Finders Keepers on the 13th February.







Monday, November 29, 2010

Thai Modernized Music

Before the twentieth century, the music of Thailand had largely remained unchanged for nearly eight hundred years. Traditional Thai classical ensembles would perform highly stylised compositions on drums, small chin hand cymbals, suspended gongs and xylophones.  This music was anonymous, rarely notated and handed down through word of mouth. With the advent of radio and then recorded music, an explosion of distinct regional styles emerged and flourished.

‘Thai Modernized Music' came of age between the years 1955 - 1975, when ‘government issue’ soldiers, on leave from Vietnam, began looking for kicks in Thailand thus exposing a young generation of Thai musicians to a diverse array of Western styles.  As this trend progressed, a fertile music scene emerged, with two distinctive styles becoming ever more prominent; Luk Thung and Molam. Luk Thung was a rural, grittier offshoot of an earlier urban style known as Luk Krung.  Luk Thung, which literally translates as ‘Song Of The Child On The Fields’ is the rural music of Thailand and as such it's thematically concerned with the trials and tribulations of daily life.  This music has absorbed and assimilated a vast range of Western influences which is startlingly evident  when you listen to the material on the upcoming Finders Keepers release, “Thai Dai - The Heavier Side Of The Luk Thung Underground.”  This is the raw, heavy, unkempt side of Luk Thung, combining traditional Thai musicianship with raw, aggressive proto punk discharges, hypnotic motorik grooves and garage funk. Traditional instruments such as the khaen [bamboo mouth organ] and phin [Thai flute] interweave with fuzz tinged guitar, stuttering organ licks and heavy drumbeats with unexpectedly joyous results. Sroeng Santi’s strange rendition of “Iron Man” by Black Sabbath is a monster of cultural collision and exemplifies this odd hybrid world, one part visceral rock, one part Thai folk melody, three parts downright weirdness. Bizarrely, despite the implied heaviness, the lyrical content of this song is actually a deliberation on the waxing and waning of the moon and the ups and downs of the Thai economy.  These strange musical hybrids continue and peak with “Kanong Krung” by Teungjai Bunpraruska, which sounds alarmingly like the sinister child choral chants of Ennio Morricone backed by the raw scuzz of the Thee Headcoatees.  This is exciting, exotic music, another top drawer release by Finders Keepers.  

“The Sound Of Siam - Leftfield Luk Thung, Jazz & Molam In Thailand 1964-1975” on Soundway covers slightly different musical terrain but is equally astonishing in its breadth and diversity.  Opening with the fragile, haunting, psych eeriness of Ream Daranoi’s “Fai Yen” this compilation is a veritable treat for the ears. Nearly every track has a deep resonant groove, from the weirdly lopsided middle eastern jazz swing of Panon Nopporn’s “Sao Ban Pok Pab” to The Pletch Phin Thong Band, who manage to dig into a groove and never really stop. This Molam style instrumental is particularly wonderful, sounding like a primitive Appalachian jug band jamming with deep funk Thai zithers.  This music inhabits a fascinating, eclectic and inventive sound world, with vaguely discernible elements of Ethiopian jazz, African drum patterns and raw funk. On the best tracks you can hear the Thai musicians absorbing their influences, experimenting and then pushing the limits of tradition. There's even a song about alcoholic monkeys, reefer smoking elephants and cows that drink Ovaltine for breakfast!  Some of you may be tempted to dismiss this music as mere curious oddity, a collision between an indigenous style and a borrowed one.  Don’t be fooled, there is some serious musical damage to be found on these discs. This is some of the most strange and uniquely compelling music out there and we should thank musical archaeologists Chris Menist, Miles Cleret and Andy Votel for bringing it to our attention.

“The Sound Of Siam - Leftfield Luk Thung, Jazz & Molam In Thailand 1964-1975” is released on Soundway Records on December 8th. “Thai Dai - The Heavier Side Of The Luk Thung Underground” is an upcoming release on Finders Keepers.

Wednesday, November 10, 2010

Malá Morská Víla

Watching "Malá Morská Víla", the Czechoslovakian film adaptation of the Hans Christian Andersen's fairy tale "The Little Mermaid" is like being drowned in an intoxicating blend of sub aquatic loneliness and surreal bittersweet enchantment. The film has a dark eerie, dreamlike quality which is enhanced by the wonderful mixture of set design by Ester Krumbachová [who was responsible for much of the visual inventiveness of films such as "Daises" and "Valerie & Her Week Of Wonders"] and a beguiling orchestral/electronic score by composer Zdeněk Liška.  Much of the film is set underwater and there is an overwhelming undercurrent of sadness throughout, especially during the underwater scenes which  are often filmed with a limited colour palette and a haunting use of slow motion cinematography. Director, Karel Kachyňa achieved international recognition for his poetic films of the mid to late sixties but this film is an unsung masterpiece, a veritable treat for both the ears and the eyes.  The film score for "Malá Morská Víla" will be released by Finders Keepers some time in Winter 2010.

Tuesday, November 09, 2010

Wednesday, October 27, 2010

In The Darkness.....

.....coming soon, an immersive mix of spectral sounds by Anworth Kirk and Demdike Stare.

Tuesday, October 12, 2010

Ritual

Fantastic news.  Finders Keepers are venturing into the world of literature with a reprint of David Pinner's proto Wickerman novel. Originally published in 1967 by New Authors Limited, the book has languished in rare obscurity. I just hope Finders Keepers see fit to reprint the wonderful Peter Edwards cover graphics.

Tuesday, September 07, 2010

Anatolian Anagrams & The Saxana OST



















Those wonderful people at Finders Keepers sent me two rather amazing discs of recorded music today. "Turk Jerk" consists of edited Turkish psychedelic music by the anagrammatic, genre hopping genius known as Tandy Love.  This edition is housed in a hand stitched, silk screened cover with all the titles cleverly disguised as anagrams. Upon further investigation, I also discovered the above rather nifty Turkish comic book cappery hidden inside. I recommend you seek out a copy immediately.  On a very different musical agenda is the strange and beguiling music found on the test pressing of the upcoming Czech Saxana OST. This soundtrack has it all, dark menacing orchestrations, twisted Czech pop, enchanted forest folk melodies and the odd kick ass drumbeat. Hats off to Finders Keepers once again.