Here's a recording entirely worthy of your attention. Originally released in 1974 as a minuscule private pressing of less than a 100 vinyl copies, Yaraandoo, is surely one of the lesser known and oddest conceptual records in existence. It's a difficult recording to define, an oddly unique meeting point between Kosmiche outsider jam, restrained free jazz improv, romantic impressionism, pastoral jazz and taut progressive moves. Inspired by the Aboriginal dreamtime myth of Yaraandoo, the record is a masterpiece of deeply, sparse and evocative musicality which deftly captures the stark, sun drenched Dreamtime isolation of the Australian outback. Recorded over a few months by multi instrumentalist Rob Thomsett and friends on a two track home studio in Canberra, Yaraandoo evokes a wide range of stylistic and compositional tones, moods and colours. At times, the sound is reminiscent of the deep jazz groove of Ian Carr's progressive outfit Nucleus but this reference point soon collapses into unexpected forms such as childlike folk strum complete with shimmering bells, glockenspiel and auto harp, melancholic minor key orchestration, wibbly avant electronic oscillations and slow motion hypnotic jazz. Originally, packaged using hand glued stationary card and illustrated with startlingly contemporaneous spray painted graphics, the record has a strange outsider aura which would make even the most ardent record collector salivate. Few private records live up to the hyperbole, but Yaraandoo is undoubtedly a unique and strange listening experience which thankfully has been lifted from private press obscurity by the ever wonderful Australian based label Roundtable. Seek out this record, take off your clothes, lift your arms up to feel the setting sun and let this undefinable musical solar flare wash over you.