Photothèque Imaginaire De Shuji Terayama

Jazz In Relief

Here's a thing of beauty. I've been playing it all Sunday morning.  For years, I was obsessed with finding a copy in good nick and when I did I played it non stop for a month or so, filed it away and forgot about it. I'm glad I've rediscovered it. It's a jazz record of sorts, not of the free blowing variety but a wonderfully melodic trio recording. The playing is beautifully restrained throughout. Sunday morning music my dad would have called it. I've always liked the cover. It looks oddly futuristic and nostalgic at the same time. On the back of the record it says the photograph is called 'Three Lions' which has always confused me because I can't for the life of me see a single lion on it. The link above is for the French issue which I found online but I much prefer the cover of UK issue from 1967 which can be viewed below. I hope you enjoy too.

Electronic Music Review

Rising Stars

...... delighted to see that this is finally getting a release in a nifty new bag although I do have a certain soft spot for the rather splendidly 'stiff upper lip' 1964 sleeve.

Serene Velocity

Fantom Salon

I'll be spinning a few 45s in Glasgow, Scotland this evening.  Feel free to stop by and say hello if you're in the vicinity.

Tracy Nakayama

إيقاع مغربي شعبي مسخوط

How Acla Disappeared From Earth

The rather wonderful curator of this book emailed me this afternoon with a link to the following short film by Anna Thew. It was also good to hear that Wounded Galaxies Tap At The Window by Cyclobe will finally be released on compact disc this coming Monday. Review here. Enjoy.

Untitled from Phantomcode on Vimeo.

Own Label - Sainsbury's Design Studio

Here's a little publication I'm all excited about.  It's not quite as odd as the last Fuel/Trunk records collaboration but I'm sure it'll be interesting. It's a book about supermarket graphics. Who would of thought Lord Sainsbury was a fan of the International Style.  Who would of thought Whole Wheat Bisk could look so typographically alluring. The book contains 208 pages of sexy packaging.  Here's a few samples. If graphic design is your kink, you're going to be a happy person. I know I will be. Many thanks to Jonny at Trunk Records for the rather wonderful scans. Own Label - Sainsbury's Design Studio 1962 -1977 is published in September by Fuel.

Normal Transmission Will Resume Shortly

A Sound Awareness will be taking a short break for the next few weeks in order to scour Turkey for obscure Anatolian vinyl but rest assured there's more interesting bits and pieces coming up soon.

R H Quaytman

Radioolio Mix

A Sound Awareness is delighted to present an exclusive mix of avant oddness expertly curated by Radioolio. Tracklist in comments.

 A Sound Awareness Mix by A Sound Awareness 

Once Around The Sun

Here’s another wonderful cultural artefact I’ve been meaning to write about for a while. ‘Once Around The Sun’ is a strange and visionary soundtrack to a forgotten Australian post Woodstock counter culture film. Filmed by sculptor and experimental filmmaker Gordon Mutch, a well known figure in the late sixties Sydney underground,the film set out to document the Australian freakout fraternities first foray into mass open-air festival. As far as I know, the film never made it off the cutting room floor which is a shame as the resultant soundtrack by John Sangster is masterpiece of beautifully restrained pastoral instrumentation and deep, dark, passages of hallucinatory orchestration. This is no cheap soundtrack of low budget psych exploitation but a fully formed cosmic suite of ambitious proportions. Cosmic tones of avant free form improvisation,jazz noir and interstellar big band swing collide. Imagine Stockhausen conducting the Arkestra and your halfway there. At times, the music is strangely propulsive, as strolling basslines percolate up through the deliriously shimmering dissonance and reverb saturated discordance. There are also oddly expansive, staring at the sun moments of peaked outsiderness as home made percussion, tabla, electronics and sitar echo and reverberate in the noon day breeze. Another fine archaeological resurrection by the stellar Australian label Roundtable.

Doo & A Dihash

Clip/Stamp/Fold: The Radical Architecture of Little Magazines

I’ve been meaning to write something on this wonderful book for a while. Falling somewhere between dusty nostalgia and future world innovation, this book documents the explosion of self published architectural magazines of the early 1960s through to the late 1970’s.

Despite the modesty of their production, many of these ‘little’ magazines punch well above their weight in terms of documenting the socio – political revolution of this period. Before social networking, independent architectural periodicals functioned as radical manifestoes for a new way of living and these small press periodicals were produced to disseminate a startling wide range of experimental theory and practice. Rescued from the dusty shelves of architectural libraries, these missives from another time capture and expose the paradigmatic rifts within the period they were produced, as the optimistic hippie idealism embedded within the Age of Aquarius becomes tempered by the cultural fallout of the late 1960s. The book is beautifully researched throughout and gathers together around seventy small publications as well as extensive interviews and facsimile reprints. Being an architectural non practitioner, what particularly caught my eye was the rather unusual, homespun quality of the design and layout of these publications. Many have a hand crafted, low budget, almost proto punk feel and reading through them feels like sifting through a folk archive of lost and arcane architectural protest. As the book evolves, modernist values tune in and drop out and any blueprint of a unified architectural model lies burning in the streets. Perhaps more importantly, this book serves as a timely reminder that despite our unprecedented access to information we have perhaps lost some of the intense political engagement with the world which was present when these periodicals were produced. Food for thought.

Clip/Stamp/Fold: The Radical Architecture of Little Magazines by Beatriz Colomina and Craig Buckley is out now, published by Actar.

The MMs Bar Recording

Having just completed the production of a spoken word recording of my very own, my curiosity was much piqued by this rather strange and everyday oddity coming your way via Trunk Records. It also presented me with the slightest of excuses to post this rather attractive and inspired  logo by Gerald Burney of Design Research Unit. 

1968–1972 Walker Performing Arts Flyers

The Graphic Work Of Destroy All Monsters

Formed at a house party in 1973 and playing their first gig at a comic book convention (where they were asked to leave after ten minutes), Destroy All Monsters [DAM] were a multi disciplinary art collective from the Ann Arbor area of Detroit. Comprising of artists, Mike Kelley, Jim Shaw, Niagara and film maker Cary Loren they were responsible for the proliferation of a vast array of acid soaked visionary art across a wide range of media including paintings, prints, sculpture, film, performance art and of course music. Influenced equally by the avant garde and Sci-Fi B-movies their work oscillates somewhere between the sublime and the ridiculous.

This book gathers together all six issues of Destroy All Monsters Magazine, a self published art ‘zine which was originally published between 1973 – 1979.

To the contemporary eye, many of the images in this book form a strange and disorientating synthesis of proto punk aggression, hippie mysticism and Warholian canniness. Despite much of the work being over thirty years old, much of it still feels contemporaneous and would not seem out of place in the shelves of your local purveyor of retina candy. Visually, the book combines a visceral punk cut & paste aesthetic with stoner chutzpah to create a rather oddly formed mixture of Looneyville high art. Imagine an ecstatic wunderkabinett of discarded visual ephemera recombined into an oozing mass of Day-Glo psychedelic visual gloopage and your halfway there. Densely layered collages compound consumer culture kitsch with aggressive counter culture subversion resulting is an explosion of hallucinatory misprint and sensorial overload. This book is a joyful graphic noise and very much worth your attention.

A facsimile reprint of the Destroy All Monsters Magazine 1976-1979 is out now published by Primary Information.