Something wicked this way comes. Another unsolicited, dark and spectral missive drops through the Sound Awareness letterbox in the form of a new Anworth Kirk release. Packaged in a rat chewed, hand pasted sleeve, this release is a much more caliginous and sage affair than its sister record. Like all good records, musically, it is difficult to pin down, part spirit rapping improv, part dim and eerie soundtrack, intense folk musique elides into Victorian grand parlour room Giallo schlock then dissipates in sound weaving patterns of lecture hall mesmerism. This is music of the ether, dark, nebulous and with many voices. Digital layering creates a seamless and complex atemporality, the folkloric becomes entwined with the technological present creating an utterly compelling and spellbinding new form of avant garde shadow electronica. This is a record to seek out and communicate with.
Showing posts with label Anworth Kirk. Show all posts
Showing posts with label Anworth Kirk. Show all posts
Thursday, May 19, 2011
Anworth Kirk 2
Labels:
Andy Votel,
Anworth Kirk,
Folk Musique,
Giallo,
pagan rites,
Precert,
Witchcraft
Thursday, November 11, 2010
Precert
Soundtrack avant oddities abound on this new spectral collage by Anworth Kirk and Demdike Stare.
Labels:
Andy Votel,
Anworth Kirk,
Mixology Demdike Stare,
Precert,
Sean Canty
Wednesday, October 27, 2010
Tuesday, October 05, 2010
Saturday, October 02, 2010
Anworth Kirk
Strange things have been coming through my letterbox of late. This morning, I received a whole batch of mail related to the blog, a recording of sub aquatic exotica by Dolphins Into The Future, a book on rubber fetish wear and a collection of films made by the artist John Latham. Also amongst the mail, was an anonymous parcel with scant information as to the identity of the sender. Slightly anxious that I was being stalked, I set about finding out who had sent it. It took a while, but eventually, after a little research, I twigged who was responsible. This particular package contained a record, and a very interesting one at that. At times, the recording sounds like a soundtrack, albeit of the vaguely oddball and twisted kind. It's a strange mixture of spectral electronics and cunning folk musique concrete. The disc is immersed in an ill distempered paganism with shimmering moments of intense haunting fragility. The record graphics impart very little information apart from a photograph of Anworth Kirk (a location used in the The Wicker Man film) and a page of a book (which I think relates to the Pendle witchcraft trial of 1612) which was glued onto the back of the hand stitched cover. I found the music contained spellbinding and for those who enjoyed the recent Broadcast and Focus Group collaboration, they will find much to love about this record. As to when it's actually released, I'll keep you posted.

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